Tuesday, May 1, 2012


22 Female Kottayam – Review


UTHARA NAIR

Cast: Rima Kallingal, Fahad Fazil
DirectionAashiq Abu
Genre: Thriller
Music: Bijibal, Rex Vijayan
Camera: Shyju Khalid
Editing: Vivek Harshan



One of the movies from recent times I thought will write about is 22FK. Aashiq Abu kills this time and brings forth an improvised look at the new generation of films.

Rima Kallingal as Tessa is an ambitious nurse from Kottayam whose wish is to work in Canada someday. She comes across as a coy and traditional woman however determined enough to make it big in her career. In the course of applying for a Visa, she meets Cyril (Fahad Fazil), a travel agent. He agrees to help Tessa obtain a visa. In a series of events, the duo fall for each other and Tessa moves in with Cyril just ahead of two weeks of her travel to Canada.

In a strange turn of events, Cyril goes absconding after he got into a brawl at the bar with an influential guy. While Tessa is alone in the apartment, she is brutally raped by Cyril's trusted friend Hegde On his return after two days, he vows to kill Hegde. As she recovers and tries to reassure Cyril, the incident is repeated. 

As Tessa decides to put her travel plan on hold, she's stuck with a double whammy. Tessa is arrested for allegedly carrying drug packets in her handbag. At the prison, she becomes acquainted with a notorious criminal and her roommate Subaida (played by Reshmi Satheesh) who also happens to have a heart of gold. With her help, she finds answers to all the questions that were haunting her until then.. The clichéd rebirth scenes of a bolder and suave Tessa follow as she prepares herself to avenge.

The story offers plenty of surprises before giving way to the final surprise. 

In the film, Tessa’s approach to dating Cyril, who is indeed still a stranger to her, looks a tad questionable as we ponder about the safety of Tessa in such an arrangement. However, the script strikes a chord with the young audience with its sheer honesty. The woman in the picture looks credible and grounded and characters like Cyril and Hegde always exist in every society. This film also witnesses a thumping comeback for Prathap Pothen as an actor. Thanks to Pothen, I now realize there are other actors as well in the South who can speak English other than Prithvi Raj!! :P

Fahadh does a brave act by choosing to defer again from typecast heroes. A multidimensional actor, Fahadh adds depth and charisma to his character. There is a void created for the growth of a new generation actor in the Malayalam cinema, and if Fahad sees it as an opportunity to fill it, the sky is the limit for him.  And man, he’s in the right direction!

Finally, this is Rima Kallingal’s movie. As Aashiq Abu has said, if there’s anyone who could perfectly suit to 22 Female Kottayam’s requirement, it should be Rima. She portrays her character with unprecedented charm, depth, and seriousness. She easily slips into the role of the charming and vulnerable nurse and takes the audience on a surprise with the twisting turns of events in the film. Your best performance ever Rima, and as you had tweeted, 22 FK is your baby!
22 Female Kottayam music – Addictive, Fresh!
Outstanding music by Rex Vijayan. The theme song, Chillane Ponveyil by Avial, is upbeat and original with its signature blend of rock and Malayalam film music. Melle Kollum has a soulful rendition, steeped in romance with good lyrics.
The songs from the film are likely to live in my playlist for a very loooooong time! 

My verdict: Don't miss it! :)

Sunday, February 20, 2011

Electric, Mesmerizing, and Feverish!


Review - Bryan Adams Live in Concert , Bangalore

Feb 13, 2011 is one of the most memorable day for a rock fanatic like me. The ambiance at Palace Grounds, Bangalore was like a gift to music fans, and there were peeps like me traveling from neighbouring cities to sing along with the legendary Bryan Adams. So in fond remembrance of those who missed the charity concert (Save the Children), here goes my review:

The concert starts with a dash of desi colour  to the concert by the Shiamak Davar dance troupe. And then the 51-year old rock star runs into the stage, strumming his guitar and crooning our all time favourite, ‘We Will Rock You'.

The true rock spirit and enthu of the crowd was echoed when the familiar voice said, ‘Hi, I am Bryan'. He began with the hit portions of ‘Everything I Do.’ Being the eve of Valentine’s Day, love was so in the air, the atmosphere just terrific.

The entire crowd switched to electric mode just when Bryan performed his ever-loved classic ‘Let’s make a night to remember,’ followed by ‘Run To You,’ ‘18 Till I Die,’ ‘Summer Of 69,’ and ‘Here I am.’
After ‘Summer of 69,’ the fever touched a new high, and the hungry fans were seen screaming "Encore". My group was standing in the middle of the ground, so it was getting difficult to watch him up and close, never mind, we enjoyed the music and the atmosphere around. As we were preparing to leave the venue, it was amusing to see fans outside waiting to get our tickets.


This blog post has also appeared in the Variety section of Views Journal, an online news and features portal. To read the article, visit http://www.viewsjournal.com/variety/68-electric-mesmerizing-and-feverish.aspx.

Sunday, January 23, 2011

Friday, December 31, 2010


11:29 pm, Dec 31, 2010

Recapitulating the fine moments of this wonderful year now... Thanks to all who have made this year really memorable...
Wishing all my readers a very very Happy New Year 2011... May this year bring all goodness and happiness to all...

Good Wishes,
Uthara

Tuesday, December 14, 2010



"Bell has no sound
till someone rings it,

Song has no tune
until someone sings it,

Never hide your feelings
because it has no value till someone feels it!!!"

A touching SMS I received today :)

Sunday, December 5, 2010

Life In A Metro

Yes it seems I have successfully completed 365 (and still counting) days since I first got down at Chennai Central railway station, my ‘Buland Darwaza’ to a world outside the skeptical alleys of Kerala.

The knick knack shopping, bingeing on pongal and chutney, traveling by metro railway (with and without ticket), commuting to work in Chennai MTC buses, walking in the December rain, loading pirated DVDs into my bag, the 24x7 local FM channels, clicking away pics of happy kids (as a respite to my boring desk job), thanking cordial strangers for showing direction and speaking broken Tamil and being happy at the end of the day... life in Chennai and a metro city for the very first time has been nothing short of pure adventure, happiness and little boredom strewn in between.

And oh yea, did I miss out my eat-out experiences in Velachery? I used to stroll around the suburb after my work hours and go on a gourmet therapy. Chennai is one of the finest places to find great food joints, local and international. It's pure fun to experiment a food joint a day and savour on the local delicacy. Also, it's fun to get into an ice cream parlour, look around and ask "Is this a new shop? I just came in to check what is out here, Thank You". C'mon, you needa have a count on your calories right?!

Ever attended an interview for a private detective post? That is so beautiful and so crazy, well, I have had. I was hailed as a detective in the embryo by the famous private detective, doing detective jobs on Sundays in Velachery area! The master detective told me, "I can see a bright detective in you, Ms. Uthara." Thrilled at my potential designation, I came back home singing some famous detective numbers, apparently excited about my new role and also the scope to earn a few extra bucks.
A month and half passes by, but no intimation from the man in black suit from Scotland, the dandy Mr. Cholan. No regrets here since the meet up was fun, adventurous and a perfect staple for discussion with my friends back home in college. (at the time of writing I was still in college).

Life is riding on high since my coming to Chennai. I feel the place lets you take some fresh lessons on the value of independence, culture, politics, add to all, the importance to shed inhibitions in one's life. Of course, I wouldn’t dare to experience this had I been in Kerala, since women rarely do feel safe after twilight.

Till date, I have explored very little in Chennai and most of the things to be done still hog around my wish list. Movie reviews take the lion’s share of the blog posts here, ironically the reviewer have never had the chance to go out with her friends to a multiplex and catch the new movie watching experience!

I still await the opportunity to bask in the sun in Besant Nagar beach, visit lot more temples and churches, explore the nightlife in a discotheque on a New Year eve, go to Mahabalipuram (my new Telgu friends have promised that they’d accompany me one day), do high-end shopping in a department store, attend movie and art fests, and so on and on and on.

If you feel to share some free tips on sight-seeing in Chennai, please do it right away. Extending the discussion to the comments board...

PS: Some of my visual testimonials.

                                                   The Little Florist In West Mambalam 



 Crowd Across Ranganathan Theru On A Diwali Day


Chennai's IT Highway on OMR, my new neighbourhood (courtesy: Wikipedia)

Wednesday, November 24, 2010

There's No Magic In Guzaarish

,
Reviewing Guzaarish, it's a catch-22 situation (at least for me). If I say the movie is ‘Perfect… So Close’, I fool myself and if I tell the movie did not satiate my senses (or any one), it could send wrong signals to the lovers of art house films, since very few films like this are produced under big banners in India (Especially, the Bollywood). Hence, the director must be applauded for his courage to consider yet another off-beat plot after the Saawariya debacle.
The plot unfurls in a grand bungalow in the silent outskirts of Goa city, inside lives Mr.Ethan Mascarenhas (Hrithik Roshan), a former great magician, now quadriplegic for 14 long years. Since then he has been looked after by his nurse Sophiya (Aishwarya Rai Bachchan). An author of his own league, a RJ who teaches values of life and infuses inspiration in the minds of people who have nearly lose faith (and of course plays great songs on radio) Ethan still is not happy with his life, so urges his lawyer friend Devyani (Shernaz Patel) to get him the right to die in dignity from court.
Eventually, his plea gets rejected by court whilst Sophiya wins her case in legal separation from her casanova husband. The protagonists confess their love for each other and decide to marry on the penultimate day of Ethan’s life.
Now to the question hour, how is Ethan going to end his life? It highly rivets me. What if he made a U-turn on the next day? The probability is far too less, but its still there. Maybe, Sanjay Leela Bhansali has a sequel in his mind. :P
The acting department did a fine job and it is Aishwarya who shines all the way in the movie, thanks to a perfectly written role. Hrithik is equally good but his role is marred by a shoddily-written script with holes as big the size of craters. I could not see an extreme urge in Ethan to fight his case out, some screen time is simply wasted by the director showing Ethan taking radio votes to crystallise his opinion. The plot is banal as it doesn’t convincingly answer as to why Ethan wishes for death other than his lawyer parroting an argument that can even be said by a 10 year old. Given the serious subject of euthanasia, the treatment of script must be serious enough to drive home the point of the issue to the audience. Guzaarish lacks punch dialogues, neither it has memorable quotes on life by any of the characters present (since, that forms the plot).

A word about music and melody in Guzaarish, SLB has got a decent start as debut music director (also not to forget his “Yoon Shabnami” from Saawariya). The song ‘Udi’ rendered by Sunidhi Chauhan rocks with some Spanish flavour blend with however, run-of-the-mill Bollywood tune. The soundtrack by KK is a flop, interestingly it is Shail Hada who brings life into the melody "Tera Zikr" with his totally rocking vocal, let alone the stunning choreography perfected by Hrithik, the magician and Monikangana Dutta.

Whatever be it, I can’t stop myself from saying that the lose script of Guzaarish is almost a perfect lift of Mar Adentro, a 2004-Academy award winning Spanish movie that I had always loved to review some day. Watch Mar Adentro (The Sea Inside) instead; jam-packed with stunning visuals, perfect cast (though this paraplegic hero is not a hunk like Hrithik) and most importantly powerful dialogues on values of life, this movie just doesn’t get off your head so soon. Oops, this post is supposed to be a review on Guzaarish!